SEGMENT
8: BACKSTAGE:
Back from commercial, the camera catches Vulture and Jackie Baccaro,
looking to be quite pleased with the events that have just taken place,
entering their dressing room. Upon
entering, we can see that an exasperated Lauren Tantalus is in the room,
wearing a white apron.
Vulture: Hey Jack, want something to
eat?
Baccaro: Nah, I’m not hungry right now.
Vulture: (smiling wryly at Lauren) Well I AM hungry. What can you fix up for me, Lauren? Anything good?
Lauren: Why are you doing this?
Vulture: Uhh, because I’m hungry. Why else?
Lauren: This whole thing, Mike. This is just your idea of a sick joke, isn’t
it? Why must you play with my life like
this? You know I don’t want to be here,
you know I’m not at all comfortable with this.
Just let me go.
Vulture: (shaking his head) Lauren, Lauren, Lauren. Where would the fun in that be? Seriously.
Tell me where. Now this… this is
fun. I know you don’t want to be
here. I know you were hoping I’d never
show my face again. Well guess
what. I’m back. And you are going to pay for what you did to
me.
Lauren: Mike, you know that wasn’t
personal. How many times do I have to
tell you it wasn’t personal?
Vulture: Oh, it wasn’t personal. It wasn’t personal. Jackie, can you give us a minute?
Understanding the situation, Baccaro nods and exits the room.
Vulture: How many times have I had to
sit back and listen to that? You know
what, Lauren? The second you went out
there and decided to interject yourself into my retirement match, damn near
taking my head off with a chair and ruining the only retirement I’m ever going
to have, you made it personal. I was
talking about the two of us leaving wrestling together and living happily ever
after, the two of us, no worries, no cares, just us… and this is what you do to
me? And then you have the nerve to say
it wasn’t personal?!
Lauren: Mike! At that point, I was not ready to give it
up. I couldn’t walk away from the
business. And you were pushing hard for
me to leave with you, for me to do what YOU wanted me to do. I couldn’t follow. I just couldn’t. At that point, my career meant more to me
than my personal life, and I was forced to make a tough decision. I could have stayed out of the match, and
tried to carry on our relationship with you at home and me on the road, or I
could do what was best for my career and join up with my brother, who was
giving me a chance to keep myself relevant.
You and I were bound to each other in more ways than one when you
retired. Once you left, I’d be left with
nothing. I had the chance to revitalize
my career by joining with Greg, and I took it.
I’m sorry for the hurt it caused you, but it was the decision I had to
make.
Vulture: That’s a cop-out and you know
it. Yeah, I wanted you to leave the PWA
with me, but in no way was I forcing you.
Lauren, I loved you. I would have
stayed with you regardless. I would have
made it work.
Lauren: Well you could have stayed with
me even after the match. I tried to
reach out to you, I tried to tell you it was only business. You wouldn’t return my calls. Then you changed your number. You disappeared on me without even a goodbye.
Vulture: Do you honestly think you
deserved one?! Lauren, remember who you’re
dealing with here, remember how I respond to being screwed over. Consider yourself insanely lucky that I haven’t
bashed you in the face with my knee or hit you with the Crimson Sunset…
yet. Believe me, there’s still
time. So, why did I do this? Why did I buy your contract? Because now, it’s my turn to dangle your
career in front of you like a carrot.
Make no mistake about it, you’re not going to enjoy this time here. You’re going to do whatever I say, whenever I
say it. Because if you don’t, your
contract will be terminated and you’ll be left with nothing. No job, no legal tender, no means of
supporting yourself. Your career in the
PWA will be over, and you’ll never find your way back. You felt you had the authority to write the
final chapter in my career… well, now I have the power to write yours. If you want there to be any sort of happy
ending, other than you being tossed on the street for good, I suggest you
follow my orders. I gave you the world,
Lauren. I gave you everything you ever
could have wanted. I stood by your
side. I watched you grow into one of the
greatest women’s champions this company has ever seen. And you threw it all away because you couldn’t
make your mind as to what you really wanted out of life. Well now, it’s time for you to pay for your
mistake. I sacrificed for you… goddammit
Lauren, I freakin loved you. And you
broke my heart. I haven’t forgotten the
hurt. I’ll never forget it. And neither will you. Because as long as I feel like it, you are
essentially my property. You will go to
the ring when I say you will, you will run whatever errand I tell you to run,
and if you don’t, you’re fired. And just
in case you get any designs on getting yourself intentionally fired, keep in
mind that you have a two-year no-compete clause, preventing you from going to
work for any other wrestling company for two whole years. So unless you feel like starting anew with a
brand-new career, and no severance package from the PWA, you’re pretty much screwed.
Lauren: You are pure evil. You know that, Mike? You are the most disgusting, conniving,
vengeful, sadistic…
Vulture: (coldly) Shut up and make me a sandwich. Bitch.
Vulture stares Lauren Tantalus down for about ten seconds before Lauren, a
look of hatred on her face, turns and walks to the other side of the room. A sadistic grin appears on Vulture’s face as
the camera fades.
SEGMENT 9:
RINGSIDE:
White Zombie's "More Human Than Human"
unexpectedly begins to play, and the crowd offers a mixed reaction of confusion
and cheers. “The Omega” Steve Beovich appears from behind the curtain and power
walks down the ramp, seemingly with something on his mind.
Troy: I have no idea,
Paul. He’s not on the card.
The Omega climbs into the ring and grabs a microphone off the side. He
paces about the ring in an attempt to work off some steam, but to no avail. He
begins to speak.
Beovich: I know you
guys haven’t expected to see me out here. I mean, why would I come out,
especially when I’ve been on a losing streak for the last few weeks? I came out
because I’m frustrated, dammit! Not only did I lose to Solomon and Vydrina, I
lost to that punkass weakling
Ferrara: I don’t really
know if I agree with him, but he hasn’t quite been on the winning side lately.
Troy: Yeah, but almost
everybody lost to Solomon and Vydrina.
Beovich: Well, I plan
to change all that, starting tonight! I’m going to take the bull by the horns
and begin my rise to the top again, starting with you,
MATCH
3: THE OMEGA STEVE BEOVICH VS. DEXTER P.
WELLINGTON:
Referee: Jason Church
Beovich doesn’t have to wait long, as “Marriage of Figaro” by Mozart
starts up, drawing out the ire of the crowd. They increase in volume as Dexter
P. Wellington arrives with Winston following behind. Holding his nose high in
the air as usual,
Beovich isn’t done with
Ferrara: I didn’t see
it, Troy, and neither did the referee!
“Marriage of Figaro” plays again, and
WINNER
VIA PINFALL AT
-- COMMERCIAL BREAK #6 --
SEGMENT
10: RINGSIDE:
Back from commercial, “Heaven’s a Lie” by
Lacuna Coil blasts onto the speakers and Greg Tantalus makes his way to the
ring to a huge ovation from the capacity
Tantalus: This crap has to
stop! You know, the crap that I saw a
few minutes ago with Vulture and my sister is making me sick. It’s turning my stomach in knots. And you know, I’m expecting this kind of
thing from Vulture and Baccaro, and I’m fully expecting that, ultimately, they’ll
turn their attention to me for my role in what happened at Everlasting Epic
III, and I’ll be ready for it. But do
you know why this has been allowed to happen?
Do you know who’s responsible for this crap? It’s
Moments later, “Parabola”
by TOOL hits and Hollywood Mike Griffin makes his way down to the ring,
alone.
Suddenly, Tantalus
is clubbed down from behind by Jonathan Brett!
The fans boo raucously as Griffin and Brett do a vicious number on
Tantalus, one that is only ended when officials storm the ring and separate them
from a fallen Tantalus as we take a commercial break.
-- COMMERCIAL BREAK #7 --
SEGMENT
11: RINGSIDE:
We are taken to
ringside, where Traci Reed is standing in the center of the ring with a
microphone.
Reed: Last week, we witnessed a despicable display in
"Da
Repercussions" by 50 Cent begins, and the boos grow to monstrous levels
once Grieco appears atop the ramp. Grieco is not dressed to wrestle, instead
wearing warm up pants and a New York Yankees muscle tee-shirt as he quietly
makes his way to the ring.
Ferrara: I agree with you, but he's out here for a reason. Let's hear him out first.
Grieco
climbs into the ring and stands next to Reed, who looks disgusted as he does
so.
Reed: Mike, we all know why you are out here. What happened last week?
Grieco: (Over the crowd's boos) Just hear me out guys,
please. What happened last week was a total, complete accident. I was obviously
intoxicated at the blackjack table, and when you're like that, it’s tough to
play blackjack with a camera crew in your face and people in your ear. I'm not
excusing my actions, but I am apologizing for it. I have already apologized to
Reed: That's nice, but that’s no excuse Mike. Whether you were drunk or not, you can't blame the freakin' cameraman for you hitting a woman that way! She should press charges against you because it was downright criminal!
Grieco: (Getting upset) Hold on, listen up Traci! I came out here in front of the world and told you that I have apologized and that everything was fine! I didn't ask you for your two cents! As a matter of fact, I'll show you what you can do with those two cents!
Grieco
is backing a terrified Reed into a corner, but before he can do so, he is spun
around and punched in the face by a hooded man! The man pulls back his hood on
his sweatshirt, and the crowd goes insane once the Jumbotron shows James
Biamonte!
Biamonte
tears into Grieco, blasting him with rapid punches that land everywhere. Grieco
cannot even think about getting his hands up to defend himself as Biamonte
wraps both hands around his neck and begins choking the life out of him!
Biamonte
is relentless until Jamal leads the security team in to pry him off! Grieco
rolls out of the ring and staggers into the crowd to make his exit as security
holds Biamonte back in the ring. The crowd is cheering wildly, chanting
Biamonte's name as we head to a break.
-- COMMERCIAL BREAK #8 --
SEGMENT
12: MATCH 4: THE ICEMAN JASON CALYSTO & INFERNUS VS.
ORA WORLD HEAVYWEIGHT CHAMPION ANTHONY FAILLA & SOLOMON:
Referee: Tom Stevens
The lights go down until two blasts of light blue fireworks shoot up
from the stage, startling the crowd as "Hear Me" by Darkseed begins.
Solomon's video package garners a huge amount of boos, and they only continue
as Walter Gindin leads The Alaskan Monster down to the ring.
Solomon steps over the top rope and carries his usual menacing look
until another loud shot of pyro explodes for the arrival of Anthony Failla.
"Shootouts" by Jadakiss and Styles P. plays the ORA World Heavyweight
Champion to the ring, and the crowd boos him as he steps inside and pounds
fists with Solomon.
Ferrara: I spoke with
Walter about that earlier, and he told me that they bumped into each other at
the Luxor, ate dinner at The Rio's Grand Buffet and decided to gamble there, with
Gindin proposing to Failla putting the ORA Championship on the line against
Solomon in what would obviously be a big money match. There was really nothing
more to it until Jason Calysto and Infernus showed up. Now they have something
in common. They want to destroy both of those men.
"Smash Sumthin" by Redman and Adam F. hits, and a
surprisingly positive reaction is there to welcome back Infernus, making his
first in-ring appearance since Revival.
Troy: The crowd is
giving it up for Infernus, who has apparently turned over a new leaf since
losing to The Iceman at Revival.
"F*ckin' In The Bushes" by Oasis plays, and the crowd goes
crazy as Jason Calysto walks out through the entrance. He salutes the crowd and
then gazes at the ring, meeting Infernus on the ramp before going inside and
going right after Solomon!
Calysto tackles Solomon to the canvas and pounds away on him until he
is pried off by Failla, but the champion is driven backwards through the ropes
and out of the ring by a perfectly-placed dropkick from Infernus! Infernus then
bounces off the ropes and lands on Failla with an amazing suicide dive!
Solomon soon takes the advantage on Calysto by kicking him in the gut
and slamming him down with a spinebuster. Solomon hits the ropes for an elbow
drop, but Calysto rolls out of the way. Solomon gets up and Calysto delivers a
dropkick that staggers the big man, who doesn't fall until Calysto downs him
with a clothesline!
Solomon gets up and walks into an inverted atomic drop before Calysto
scores with a Russian leg sweep. Calysto covers for one...two....and Solomon
easily powers out. Infernus stretches his arm out for a tag and Calysto
obliges, giving Infernus exactly what he wants.
Infernus climbs into
the ring and locks eyes with Solomon, before spinning Calysto around and
kicking him square in the groin!
Calysto falls to the mat as Infernus cackles and embraces with Solomon!
The crowd boos rabidly as Solomon and Infernus stomp Calysto into the ground.
Failla soon joins in and wallops Calysto right over the cranium with a
sickening chair shot! Infernus then folds the chair up and asks Solomon to hold
Calysto up. The Iceman has no idea where he is when Infernus gets up to the
second rope and drills his skull into the steel with the Ho Down DDT!
Failla then moves both men aside and talks trash to Calysto before
lifting him up and spiking him with The Almighty
Sacrifice! Solomon then shoves Failla, demanding to led him lead the
assault. Failla shoves back, prompting Infernus to club Failla from behind
before he walks right into a huge Deep Freeze from Solomon!
Solomon then grabs Failla's championship belt and holds it high in the
air as "Hear Me" replays. Solomon, Infernus and Gindin all celebrate
together in the ring as Failla writhes on the mat and Calysto lies motionless
and bloodied.
WINNERS
AT
-- END SHOW --
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